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Let your "dogs" breathe.
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The first cooking class at The Milestone Culinary Arts Center was a delightful learning experience for The Dallas Opera and everyone who attended. We were fortunate to have the opportunity to work with Chef Sharon Van Meter (a 1997 “Chef of the Year” who dazzled her clientele as Executive Chef of both Neiman Marcus and the Ritz-Carlton, Chicago) and her assistant, Lenny. Watch a Video Clip from the Cooking Class | Get the Chicken Paella Recipe | |||||||||||||||||||||||||
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Our most comfortable lecture yet, UNT Professor Dr. Stephen Dubberly speaks on just about everything that is The Marriage of Figaro as we lounge atop the carbon steel coils, natural latex foam, pure wool, and stretch cotton covers of Sovn European Sleep System’s beds. |
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Dallas Opera lovers were hosted to “A Night in Old Spain at the Meadows Museum” Thursday, June 19th. Our gracious hostess, arts and humanities lecturer Barbara Benac, traced the Spanish roots of “The Marriage of Figaro,” set in Seville, in a fascinating presentation that blended portraits and paintings from the extensive Meadows Museum collection with the private letters and published words of the men who created the now-legendary barber, Figaro. |
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THE MOON IN THE MAN: We couldn’t have planned a better night to screen “Moonstruck” at Victory Park last Wednesday (June 18th)! The weather was nice – not the typical “Texas-nice” where it’s almost bearable to be outside – but the “nice” where the skin beneath the sleeves of your Oxford dress shirt is downright jealous of your bare hands. We finally got a break from the mugginess that covered the Metroplex after that series of much needed rainstorms while the “alley” that is the AT&T Plaza made for the perfect breeze-trap... |
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ROCK ME AMADEUS: No, we didn’t play Falco’s 1985 chart topping hit – but we thought about it. The Dallas Opera kicked off our Inwood Living Room Series with Milos Foreman’s multi-award winning film Amadeus. Many thanks to the patrons and new friends that came out to join us for the first in our free screenings. The movie was based on Peter Shaffer’s Tony award-winning play of the same name. Amadeus won 8 Academy Awards, 4 BAFTA awards, 4 Golden Globes and countless other awards. Seeing it again after all these years was really a treat. We screened the director’s cut which includes about 20 minutes of additional footage... |
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CAFE SOCIETY: MADRID STYLE Wow. Did I say that loudly enough? Okay, then. WOW. Our latest casual pre-season event for “Figaro in Flip-Flops,” presented by One Arts Plaza, was a knock-out Spanish Wines and Tapas Tasting at Cafe Madrid in Oak Cliff’s Bishop Arts District. It really struck me as the perfect way to spend a hot Sunday afternoon, in the cool, tile-floored, chatty and cheerful atmosphere of a homey Spanish Cafe, complete with hefty wooden tables that didn’t cry out for a coaster and banks of north windows that bathed the rooms with light while keeping the heat at bay. |
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CROSSING DA PONTE This afternoon marked the first thrilling installment of “Suzanne’s Book Club,” brought to you courtesy of Barnes & Noble Booksellers Prestonwood Center (5301 Beltline, Dallas) and we had a wonderful, attentive and enthusiastic crowd of opera lovers who had gathered to discuss this month’s selection: “The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte - Mozart’s Poet, Casanova’s Friend and Italian Opera’s Impressario in America” by Rodney Bolt... |
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THE DALLAS OPERA GUILD'S FINAL NOTE The Dallas Opera Guild has concluded it's 50th Anniversary year with great flare. In October the Guild sponsored a trip to Toronto for opera performances in their new Four Seasons Opera House, lead by Sandra and Bill Sanderson. Thirty three Guild members enjoyed the city sights and wonderful performances in this beautiful new venue which heightened anticipation for the opening of our own new Winspear Opera House. Later in October our season opened with a lovely Season Premier party at
the Edgemere, with a Scottish piper greeting guests as they arrived, and
a Scottish supper, honoring the opening production of MACBETH. Young |
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